Roger has got a plan B ready when plan A fails...And he makes it work perfectly!
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Monday, December 26, 2011
Wednesday, December 21, 2011
Roger Federer loses his cool, altercation with adjudicator US Open 2009
You don't see Roger arguing with the umpire so often. Federer vs Del Potro US Open 2009
Saturday, December 17, 2011
Top Ten Fashion Trends From the 1940's
Rationing:
World War II impacted virtually every aspect of American life and fashion was no exception. In 1942, the United States imposed a rationing system similar to the one Great Britain had implemented the previous year, limiting, among other things, the amount of fabric that could be used in a single garment. Materials including wool, silk, leather and a fledgling DuPont Corp. invention called nylon were diverted for use in uniforms, parachutes, shoelaces and even bomber noses.
Jackets could be no more than 25 inches in length, pants no more than 19 inches in circumference at the hem, belts no more than two inches wide and heels no more than an inch in height. Hemlines rose to the knee in an effort to conserve fabric. Buttons, cuffs, pockets and decorative details like ruffles and lace were used sparingly. Women wore shorter, boxy jackets for a V-shaped silhouette reminiscent of military uniforms. Even Hollywood traded elaborate costumes for simplified designs, a move many claimed lent movies a new air of realism.
Nylon:
As soon as it was introduced in 1938, women embraced synthetic nylon as a replacement for silk stockings. In the early 1940s, however, with silk already diverted to the war effort, the government recognized similar uses for nylon and commandeered it as well. Women responded by coating their legs in tan makeup and drawing lines up the backs of their calves to mimic seams. By the time the war ended and stockings returned to store shelves, nylon had become a generic term for hosiery.
Swing skirts.
The swing skirt had a round cut designed to look best in full jitterbug twirl. Swing skirts were a common sight on USO dance floors as young women danced with uniformed men to the jazzy horns that characterized the Big Band Era. Housewives were known to wear a more conservative version of the swing dress, sometimes in polka-dot or tiny floral prints.
Hats:
Hats became one of the few ways to express individual style with minimal resources. They were worn in a wide range of styles and personalized with scraps of foil, sequins, netting, paper and string.
Hair and makeup:
Hairstyles became more elaborate as women sought ways to contrast their dull wardrobes. Shoulder length or longer hair was rolled into complex shapes and secured with bobby pins. Screen sirens like Lauren Bacall, Veronica Lake and Rita Hayworth popularized side parts and finger waves. Makeup was dramatic, characterized by matte foundation, powder, heavy brows and bright scarlet lips.
Platform pumps:
The wartime shortage of leather and steel forced shoe designers to get more creative and, as a result, shoes were cobbled from materials ranging from crocodile hide to cork. Shoes were more utilitarian than stylish, with low heels and limited color choices. By the mid to late 1940s, platform pumps with high heels in T-straps, ankle straps or open toes had replaced the dowdy wedgie with its flat shape and thick cork soles.
Menswear as womens wear:
A number of men may have spent the first half of the 1940s in uniform, but their civilian clothes came in handy for the women who filled their home-front jobs. Women raided the closets of absent men and tailored the suits to fit themselves. McCalls even introduced a pattern aimed specifically at modifying a masculine suit to fit feminine curves. Suddenly, the sexually ambivalent look pioneered in the late 1930s by Katherine Hepburn and Marlene Dietrich was radical no more. The emergence of the dress pattern and electric sewing machine led women to make their own suits from scratch, opting for gabardine due to the scarcity of wool. Many with physically demanding factory jobs soon began wearing practical pants and Rosie the Riveter jeans.
Sweaters:
By the mid-1940s, many women had abandoned the single-piece corset in favor of panties and structured bras that lifted and accentuated the bust line. In 1946, a well-endowed Jane Russell appeared onscreen in a cantilever bra designed by Howard Hughes, prefiguring the bullet-bra 1950s and the reign of the sweater girl. Loose-fitting cardigans were also popular, particularly on college campuses.
Sportswear:
The virtual disappearance of French fashion houses during the war led American designers to explore their own creativity. Designers like Bonnie Cashin and Claire McCardell were instrumental in the creation of sportswear, that singularly American look featuring coordinated separates that could be worn in layers or in various combinations. The trend not only gave women increased options and made it appear as if they had more clothes than they actually did, but also blurred the line between couture and ready-to-wear by showing women they could be both chic and comfortable without spending a fortune.
The New Look:
By the late 1940s, women craved a return to glamor and designers obliged with swirling skirts and shimmering evening gowns inspired by film stars like Ingrid Bergman, Barbara Stanwyck and Joan Crawford.
In 1947, French couturier Christian Dior almost single-handedly brought an end to wartime austerity with a fashion line observers christened the New Look. Severe angles were replaced with curves, hemlines dropped back below the knee and skirts were generously draped. Structured undergarments were key to the New Look, which featured broad shoulders, cinched waists, emphasized bust lines and padded hips. The pencil skirt was a figure-hugging alternative to bouffant skirts. Men, too, longed for freedom from conservative tailoring in khaki and olive drab. They found relief in wide-legged trousers, full-length coats and suits in an array of colors. Both mens and womens trousers featured higher waists, widely cut legs and cuffs and came in textured tweeds and jewel tones.
The New Look met with protest from women who had grown accustomed to baring their legs and were disinclined to cover them back up. Moreover, the opulent, fabric-rich designs seemed wasteful in contrast to wartime fabric restrictions. The desire for change prevailed, however, and the look flourished throughout much of the 1950s.
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Monday, December 12, 2011
Cincinnati Masters 2011: Federer Vs Del Potro Match Time
Switzerland's Roger Federer has been given a bye into the second round of the Cincinnati Masters 2011 and he clashes with Argentina's Juan Martin Del Potro, on Monday, August 15, 2011, in what promises to be an exciting match between two top-drawer players. While Federer is ranked third in the world, Del Potro is currently ranked 19th.
Born on September 23, 1988, 23-year old the Argentine is seven years younger than the Swiss legend who was born on August 8, 1981, and turned 30, exactly a week ago.
The Argentine is a resident of Tandil, Argentina, where he was born, and also has a height advantage, being 198 cm tall, 13 cm more than Federer who is 185 cm tall. However, despite his greater height, Del Potro at 83 kg is two kilos lighter than Federer who is 85 kg. Both players are right-handed; while Federer turned professional in 1998, the Argentine followed suit seven years later, in 2005.
This year, the players have had an almost identical record; while Federer has won 39 matches and lost 10, his young Argentine rival has won 36 and lost 9. While Federer has won just the solitary title in 2011, the Argentine has won two. However, when it comes to career titles won, there's simply no comparison, with Del Potro's nine titles not measuring up to Federer's 67. and while Del Potro has won over .5 million in prize money, Federer is far ahead, on that count, having won more than .5 million.
Head to head, Federer leads 6-2, in eight games played against the Argentine, but the more interesting statistic is that the Argentine has won the last two encounters between the players.
Del Potro's first win against Federer came in the first round of the 2009 US Open, when the Argentine prevailed in an intriguing five-setter 3-6, 7-6, 4-6, 7-6, 6-2. the latest match between the two players came later, the same year, at the Barclays ATP World Tour Finals, when the Argentine ended the winner in three sets 6-2, 6-7, 6-3.
Federer complately dominated the young Argentine player when they met for the first time on a tennis court, at Wimbledon, in 2007. The second round match went the Swiss player's way when he won in straight sets 6-2, 7-5, 6-1. The next match between the two came later in 2007, at Basel, Switzerland, when Federer despatched Del Potro 6-1, 6-4, in a round of 16 encounter.
Thereafter, Federer had two more straight sets wins over the Argentine, the first coming at the quarter-finals of the 2009 Australian Open, and the next, later the same year, in the semi-finals of the ATP World Tour Master 1000 at Madrid, Spain.
Del Potro first revealed what a threat he could be to Federer's domination when he took the Swiss world number three to five sets at Roland Garros, with Federer eking out a win by the score-line of 3-6, 7-6, 2-6, 6-1, 6-4.
Wednesday, December 7, 2011
Swiss Legend Men's 20067-BB-01 Commander Collection Chronograph Black Ion-Plated Black Rubber Watch
!±8± Swiss Legend Men's 20067-BB-01 Commander Collection Chronograph Black Ion-Plated Black Rubber Watch
Brand : Swiss Legend | Rate : 
| Price : $169.99
Post Date : Dec 07, 2011 21:56:12 | Usually ships in 1-2 business days
| Price : $169.99Post Date : Dec 07, 2011 21:56:12 | Usually ships in 1-2 business days
The Swiss Legend Men's Commander Collection Chronograph Black Ion-Plated Black Rubber Watch features a bold, circular dial with large, silver-toned Arabic numeral hour indexes at three, six, nine, and 12 o'clock, silver-toned bar-shaped markers at all other hours, and luminous, silver-toned hands. The three subdials displayed on the inner, textured portion of the black dial offer full chronograph function and there's a handy date display between the four and five o'clock. Designed with serrated edges, the unidirectional, black ion-plated stainless steel bezel is inscribed with indexes from zero to 60. A sturdy, black ion-plated stainless steel case, screw-down crown, and scratch-resistant mineral crystal window provide everyday durability while the oversized pushers lend to the bold look of the watch. Made from tough rubber, the black watch strap is secured with a buckle clasp. This watch is water resistant to 330 feet (100 meters) and is equipped with precise Swiss quartz movement.
- Precise Swiss-Quartz movement
- Durable mineral crystal; Brushed black ion-plated stainless steel case; Black rubber strap
- Chronograph functions with 60 second, 30 minute and 1/10 of a second subdials; Date function
- Black textured dial with silver-tone hands, arabic numerals and hour markers and subdials; Luminous; Unidirectional bezel; Screw-down crown
- Water-resistant to 330 feet (100 M)
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